The conference in Charlotte (or rather Concord) was great but tiring. I taught every day and my students were wonderful. It was a lot of work to get ready but it was worth it. The yarn balls I wound with my nostepinne were a hit. Laura Farson took Day 1 of my Finishing Class and gave me her seal of approval (unless she was just being nice!)
I won't be doing a blog entry next week. I will be coming back from Tucson. My husband has a meeting there. It will be nice laying around doing nothing for a change.
There were a few lessons waiting for me when I got home but not too many. Several knitters I met at the conference signed up for courses. You would think they would be sick of me!
TIP OF THE WEEK
I have finally got around to the final seaming tip...horizontal to vertical edges. You would use this technique primarily to sew a sleeve cap to an armhole opening. To do this you need to know how to seam horizontal edges (bind offs) and vertical (selvedges). I've already discussed these two techniques in previous tips. Here are the links in case you need them: Horizontal Edges and Vertical Edges. On vertical edges you use the horizontal bars between the selvedge stitch and the next column of stitches. On horizontal edges you place the seam in the stitch below the cast on edge.
The only thing that complicates this type of seam is that there are more rows per inch than stitches. This means you cannot pick up one row for every stitch or the seam will be puckered. You need to use the gauge ratio. For example, if your gauge is 4 sts and 5 rows per inch, that means you need to use up 5 rows for ever 4 stitches. To do this, you use a single bar (each bar represents a row) for three stitches and on the fourth, you would use two bars. The photograph below shows this. (By the way, I knit these swatches using GIGANTIC needles so the tension isn't great).
If you look this technique up in a book you might find different ratios suggested. I've seen 3:4 and 4:5 listed as hard and fast rules. For the most part, both work but your actual gauge for one inch generally gives the best results. Here is the final swatch.
When you are seaming a sleeve to the armhole opening, always start at the shoulder seam. Seam one side first and then the other. If the sleeve is a drop shoulder sleeve, be sure to mark where the sleeve should line up on the other side of the garment. It is very easy to wind up with one side of the sleeve lower on the body. If it is a set-in-sleeve, pin it in place first the way you would if you were inserting a set in sleeve on a fabric blouse with a sewing machine.
Sewing in a sleeve is more art than science. I can honestly say I have never had one go in perfectly without some altering of the ratios at the armhole. This reminds me of picking up stitches for a thumb. It always requires a bit of fudging. Don't worry too much about this. Unless you are REALLY off, it is not all that noticeable. Most of the fudging is done at the underarm.
There won't be a salon this week. I will be traveling on Saturday. See you in two weeks.
I didn't get near enough done at the conference. I had very little time to knit. This is somewhat ironic if you think about it. I did finish the shell for the twinset before I left. It is blocked but not seamed. I've finished the back of the cardigan and the armholes are in sight for the front. I must have the sleeves done next week to stay on schedule. Here is the cardigan in progress.
It is wishful thinking, I suppose, but I did the gauge swatches for the skirt. Yes, I know the swatch is really short but I am not too concerned about the row gauge. The swatch to the left is for the skirt body. The swatch to the right is for the border. It is hard to tell but the border will be cabled. Yes, I know you will not be able to see the cables but the texture will be different. I decided to do this to add some weight to the bottom. The bottom band will be knit separately and then stitches will be picked up along the vertical edge and worked in the round from that point on. I will not seam the bottom band. I want a slit at the back. The yarn is Debbie Bliss Milano. I like the contrast between this fabric and the twinset.